Jonathan Alger

After years of quietly enjoying my ever-growing collection of books on exhibit design, museum planning and interactive spaces, I have finally come up with a way to share my bookshelf with everyone. I hereby announce the Exhibit Designer’s Bookshelf (beta), courtesy of Shelfari.
Click the link at the very top of this page, or here, and [...]

Okay, there are brilliant audience-participation exhibit ideas – and then there are REALLY brilliant audience-participation exhibit ideas.

The sculpture is artist Hans Hemmert’s “German Panther”, 2007.

If you can’t make it to Shanghai for Expo 2010, these three videos by the (accurately named) Shanghai Expo Timelapse Machine give a sense of the different kinds of pavilions on display. Germany: a deep, varied exhibition with a variety of completely different interactive zones in the interior:

Denmark, completely the opposite, with a beautifully designed [...]

A great, simple video of what everyone involved in interactive installation projects knows, but sometimes can’t articulate. By the Environmental Health Clinic at NYU, led by Australia-born conceptual artist Natalie Jeremijenko. Don’t let the name confuse you, it is a provocative design studio camouflaged as a university health think-tank, also apparently sometimes called the “x [...]

In case you missed it, Robin Pogrebin’s Brooklyn Museum article in the New York Times yesterday (“Brooklyn Museum’s Populism Hasn’t Lured Crowds”), has created quite a stir. The article itself is very much worth reading, if you are someone interested in successful visitor experiences of whatever kind. Just don’t expect pat answers, the jury is [...]

Why do I like the “obscure Brooklyn depot” or “fascinating gallery of extraordinary objects and materials” called The Index Ltd so much? First, I can’t explain what it is very well, which usually portends great things. Second, the online version has a Swiss domain extension for reasons initially mysterious.
But don’t just take my word for [...]

A happy coincidence: I was at the Miami Art Museum two weeks ago – just a few days after I wrote about the Saraceno installation image that was haunting me – and I stumbled on (and nearly into) Tomás Saraceno’s fantastic “Galaxies Forming along Filaments, Like Droplets along the Strands of a Spiders Web” (2008, [...]

I do think about other things besides the Cooper-Hewitt. I just don’t blog about them, apparently. The Cooper-Hewitt’s recently-opened Triennial exhibit, “Why Design Now?” has me, well, thinking. My favorite project thus far, for a dozen reasons: the “Posterwall for the 21st Century” installation at the Graphic Design Museum in the Netherlands.
Created by design group [...]

A lovely video from the Cooper Hewitt National Design Museum (post from Director Bill Moggridge’s “Bill’s Blog” here) showing the way they got a (teensy) Tata Nano off New York City streets and onto a display platform inside the museum. Despite snow.
Via Core77.

Designing exhibits, I’ve always been inspired as much by installation art as any other discipline. Perhaps more. For example, this remarkable image, from a piece by Argentine-German artist Tomás Saraceno, has been haunting me lately:
In the spring Bonniers Konsthall presents a solo exhibition by the artist and architect Tomás Saraceno … In collaboration with [...]

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“Chorus”, a kinetic installation with sound by United Visual Artists:
… an array of motor-assisted pendulums weaves through space emitting light and sound. The rhythm of the work evolves through chaos and returns to unison, producing a hypnotic and seductive performance that heightens the viewer’s awareness of the space and their relationship with it.
See a [...]

Inspiring! “Tidal Datums [adriensegalfurniture.blogspot.com] is a wooden table whose form is inspired by the formal language of data graphics. The table is intended to be a representation of analytic information through the medium of furniture. Data graphs were gathered from NOAA’s historic tide database, more specifically the measurements of tides at San Francisco Bay over [...]

A wall, a man, and a knife: the etched-leather installation art of Mark Evans. I don’t know about you, but for me this beats a ginormous touch-screen video wall any day. (That said, I wouldn’t want to be the cow.)
Found through the increasingly addictive Fubiz.

The blinking, wiggling and beeping Kinetica Art Fair 2010. Video via ArtLyst, original tip from @artnetdotcom.